Richmond Park

Oak Life

Nature has always been a big source of inspiration for me, and this project felt particularly close to my heart. I wanted to create something that didn’t just depict the oak tree, but celebrated its entire ecosystem.The result was a sculpture called Oak Life, carved from a fallen oak within the park itself. The piece includes everything from acorns and oak leaves to the creatures the tree supports, like a dormouse, stag beetle, woodpecker, and gall wasp. It’s a reminder of how interconnected everything in nature is - including us.“If children grow up not knowing about nature and appreciating it, they will not understand it, and if they don’t understand it, they won’t protect it…” Sir David AttenboroughThat quote stayed with me throughout the process.

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Grand Western Canal

Heron

I carved the heron larger than life so that it could be appreciated not just from the house, higher up in the garden, but also by people walking along the canal’s towpath 20 metres away. It was designed to sit quietly in its environment, offering a moment of stillness and surprise to anyone who comes across it.

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Northamptonshire Council

A Knight’s Trail

Because of the scale and deadline, I brought in fellow carvers Simon O’Rourke, and Harry and Danny Thomas. We carved the pieces together in Harry’s studio in Wales, sharing tools, ideas, and many cups of tea. As someone who usually works alone, that sense of collaboration was a real highlight.The knights were initially installed in the town centre and have since been placed around Northampton and the surrounding areas. The trail is still accessible as a circular walk, offering a journey through both landscape and local heritage.

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✦ Environmental ethos

I’ve always felt a strong connection to the natural world, and working with wood just feels right to me. There’s something grounding about using a material that has already lived a life of its own—shaped by years of growth, weather, and time.Whenever possible, I use trees that have fallen naturally—whether from storms or as part of responsible woodland management. Some are removed to let more light reach the forest floor or to take out diseased trees. Giving that timber a second life through sculpture feels like a way of honouring it, not just disposing of it.I’m mindful of the impact we have on our environment, so choosing wood as a material feels like a conscious step away from waste and excess. Wood is ancient, tactile, and enduring—it’s been part of our lives for millennia. Even now, in an age of plastics and digital noise, we still instinctively respond to the warmth and weight of timber.Every carving I create is a quiet tribute to the life of the tree and an invitation for others to reconnect with nature.

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✦ Bringing your ideas to life

Commissioning a sculpture is a collaborative process, and I’ll guide you through it every step of the way:Initial discussionGet in touch with your idea. Whether it’s a rough concept, a photo, or a feeling you’d like the piece to evoke. We can talk through location, size, and materials.Design & ProposalOnce I understand what you're after, I’ll sketch out a concept and give you a quote. We’ll also confirm the timeline and whether the work will be carved on-site or in my workshop.Sourcing TimberIf you have a tree in mind, great. If not, I’ll suggest suitable woods and source something responsibly.CarvingI’ll begin work—either at my workshop in North Devon or on location. You’ll receive updates and photos as the carving progresses.Finishing & DeliveryOnce complete, I’ll apply a suitable wood treatment or finish. We’ll then arrange delivery or installation depending on your location.Aftercare AdviceI’ll give you tips on how to care for your sculpture so it weathers well and lasts for years to come.Every sculpture I make is unique, and the process reflects that.

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✦ Carving out the details

Do you take commissions?

Yes, absolutely. I regularly create commissioned pieces for private clients, public spaces, schools, parks, and community projects. If you’ve got an idea in mind, I’d love to hear it.

How long does a sculpture take to complete?

That depends on the size, complexity, and location of the piece. Smaller works might take a few days; larger or more detailed projects can take a few weeks. If you’re working to a specific deadline, just let me know early on.

Can I use wood from my own tree?

Yes, and in fact, I love working with timber that has meaning for the client. If you have a tree that’s come down in your garden or on your land, we can often turn it into something lasting and beautiful.

How much does a sculpture cost?

Prices vary depending on the size, design, and logistics involved. I’ll always give you a clear quote before we start. Commissioned sculptures start from around £500.

Do you carve on-site?

Yes, where necessary. If the timber is too large to move or you want the piece carved in situ, I can work on location, as long as there’s enough space and access. I’m based in North Devon but happy to travel.

Do you offer delivery?

Yes. If I’m carving the sculpture at my workshop, I can arrange delivery or help you organise collection depending on the scale and location.

What kind of wood do you use?

I mostly work with trees that have fallen naturally or been felled for woodland management reasons. Oak, cedar, yew, and sweet chestnut are some of my favourites, but I’ll always choose timber that’s best suited to your project.

Can I come and see your work in person?

Of course - just drop me a message and we can arrange a visit to my workshop (by appointment).

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